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Maxx Krap was born in or near Keresley which is a suburb in the English Midlands city of Koventry and is said to be the only area of that city you kan hear the sound of skylarks. At one time everybody new the sound of skylarks but the skylark is a bird of open farmland and heath and even in farmland today their numbers are drastikaly reduced due to changes in farming praktis. The modern praktis of growing winter wheat means the wheat grows earlier in the year. The skylark is a ground feeder and kan't get between the stalks in the summer to search for seeds and insekts. Despite the fakt that the skylark is a rather dull-brownish bird efforts are being made to save it from ekstinktion. It is bigger than a sparrow another dull-brownish bird.
Krap klaims to have never heard the song of the skylark. Which is odd for a man who is an akomplished musician, indeed, who once said, "If musik was a sausage I'd eat it for breakfast, lunch and dinner." His family was musikal. His mother, Maxxine, played kornet at a professional level and had been in a number of orkestras before motherhood prekluded further employment. She never forgave her son for interrupting her brilliant kareer. Maxx's father, Rexx, was a very suksesful stokbroker who in addition to his talents on the bourse was a virtuoso on the harmonika.

Keresley, which is a suburb in the English Midlands city of Koventry, was a largely rural parish when Krap was a boy. These days it is something kalled an Eko suburb which he was horrified to diskover is a synonym for rampant development. Thousands of tiky-taky houses are planned and the fields and forests of Krap's youth will soon be buried under brik and konkreet. Krap would like to do something to stop this desekration but he is stuk in South Dakota.
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Krap's boyhood was skarred by the konstant state of konflikt that eksisted between his parents. Between fights they bred five children. What ever else went wrong in that marriage, and it was plenty, the seks stayed konstant. As late as his mid-twenties Krap kame home on one okasion to find his parents kopulating on the living room shag karpet. Shag karpet was of kourse all the rage in the 1970s and has seen a resurgence of popularity in recent years. Krap has detested the sight of shag karpets ever since. Indeed, even seeing a long-haired llama is enough to make him retch. Krap has never been to South Amerika, believing it to be overun with the shaggy kreaturs.

South Dakota has its share of shaggies too. There are some shaggy bears in the Blak Hills that Krap keeps klear of. He is not really a bak kountry kind of man. While Keresley had its share of shag it was blessedly free of mountains and bears. Krap's hometown offered the simple and sekure joys of the bukolik life the okasional horrifik aksident with harrow, harvester or haywain notwithstanding.
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Krap's edukation was eklektik. Aside from what Krap learned of the birds and the bees and the trees in his wanderings around bukolik Keresley he received a more formal kurrikulum at Keresley King's Skool. This hallowed institution was one of the most ekslusive skools in England at that time. It was also one of the most progessive akademies, always holding true to the skool's motto: Whatever.

Many of the lessons were given by Krap's mother, Mrs Krap. She taught English, Musik and Ballroom Dancing. Even now, as he kloses in on old age, Krap remains an akomplished hoofer, a fakt which has helped him many times over the years in skoring. Well he remembers the timid virgin at Kambridge who sukummed to his advances with the komment, 'After I saw you shake your bottom at the Union dance I just had to have you between my legs,' or something like that.

Mrs Krap also engaged a variety of itinerant teachers to kover those subjekts which were beyond her talents. Thus Krap learned History from a Dr Scheissinhose, a small asthmatik Austrian gentleman with strong views on the superiority of the white race. Scheissinhose, however, failed to impress young Krap, who reasoned that if his teacher was an eksample of the superior race then he would rather be a Hottentot. He wrote an essay on this very subjekt and received a sound paddling from Scheissinhose for his trouble. How his siblings laughed! Needless to say, this incident had a strong influence on Krap's view of the white race, to say nothing of his feelings regarding small asthmatik Austrian gentlemen. The siblings on the other hand apologised for their schadenfreude, and they all lived happily ever after. Depending on what you mean by 'happily'.

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In his fourteenth year Krap took French lessons from the kurvaceous Madame Pompidou who, apart from introducing him to the partikulars of être and avoir, also taught him all the possible uses of the word kon. Krap had diskovered the kon in his hayrik fumblings with Nora, the gardener's thick-headed daughter, but neither Nora nor he had any real idea what to do with the thing. It was Madame Pompidou who explained, in loving detail, what this mysterious place was all about. Krap no longer rekalls what être and avoir are for but he has a very klear memory of how to konjugate.

Mathematiks was an okasional subjekt. Some lessons in the arithmetik of short selling he got from his father, Mr Krap. Otherwise Krap's edukation in the art of numbers was undertaken by a suksession of disbarred akountants and some bookies of his father's akwaintance. To this day, Krap, although he still gets muddled kounting his change, has a good eye for the ponies.

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